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The Texas Sun
Buda, TX
Lyft
December 11, 1975     The Texas Sun
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December 11, 1975
 

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hich 1; and vil," Dude zz in ia ;he tde of L that n the Lge to ;ix or ,oupS Lional ty d [tsel good. eene? S one but fly of eight reedy )okin' ld it's d the ed it ying, ,idual ngit; nian ostly "has ; are rd of e are ctro- The i and cont. from page 22 pianists -- Tyner, Jarrett, Taylor and Peterson -- who play mainly acoustic piano; all other major jazz pianists -- incl u d in g Ch!CkCu]r e_aa, Herb e He]nCFrk and Joe Za p , ..... keyboards, and all the equipment tnaL goes with them. Jazz is once again attracting young musicians, and a corollary to that is the interest generated in the public for what musicians themselves dig. People h ave to choose from what s offered, and eventually the serious public comes around to what, music makers are serious about. It s simple; at least I tsh c to Austin, what makes a jazz cene and why. Simple. What kind of music is an improvising musician going to play in town? The local live music Scene is monopolized by various forms of country music, which by only the broadest stretch of the imagination can comfortably house the improvisor. So the ,improvisors go elsewhere, and that s where we find them: playing "jazz." Five years ago it would have been rock at the Armadillo, before that at the Vulcan Gas Company -- where is Shiva's Head Band when we need ""BUY" CENTENNIAL PROTEST XMAS TREE On Sunday, December 14th at 1:45 pm in Zilker Park at the Pecan Picnic Area Site, the Peoples Bicentennial Commission will present a "Buy" centennial Xmas Tree adorned with the worst examples of Bicentennial junk products. A short protest statement about Bi-centennial Commer- cialization of this Xmas Season by the giant corporations. The PBC calls for fellow citizens to join together in protesting the corporate version of America's 200th Birthday. It also calls for a movement against the big business Tories in 1976 and for democracy for the American economy. For further information contact: Phyllis Krantzman 208 East 34th Street Austin, Texas 78705 476-7850 SFF/OLL iNdULOI:hCI:S @N iClllC8 6o6 Ud. NOTHING STRIKES "CEC. M BACK 2118 ~SCRUMPTIONS GUADALUPE 23 The .University Jazz Ensemble: Still alive and swinging them? So rock is dead. So what? They're still playing the music, and no matter what it's called the business- men can't steal it because they don't understand it. So we let them have what they can understand, and the musicians go for something deeper. What comes next is an audience willing to support a local scenes and that's something I can't explain because I don't understand it. Somebody wants to hear jazz in Austin. You can thank the country music crowd for creating a live scene in Austin; before the progressives came to town there was nothing. Redneck rock has done wonders for our public musical consciousness. Before them it was all TV. Now we're reaping the benefits, in the form of listenable improvised music. We call it jazz; others call it rock. There is a jazz scene in Austin. It's the best kind of jazz scene, because it's local. We're not just a spot on the map for one-night stands, though it would be , nice if someone would bring some big names back (has anyone seen Rod Kennedy lately; I guess it would be too much to ask). That'll come later. We're lucky to have the local thing, which is harder to come by. Now that we've got it, we should make the best of it. So go out and hear the home boys, or pick up on some new sounds from 47 X, Steam Heat and the Electromagnets; they've all got records out and they're all good. Oh, and while you're at it, check out James Polk; he's just cookin' on the East side. AND HIS MOTOWN The well-known blues man from Chicago, Luther Allison, star of the '74 Ann Arbor Blues Festival, comes to Austin with his 6-piece band--as featured on his many Motown LP's--for an exclusive engagement only at: BLUE